However, we can affirm that the artistic manifestations are so old how much to the history of the man in the land becoming present as media and expression, in social, economic, religious, historical and cultural the dimensions (BERBET et al., 2007) Coli (2003) it affirms that the art if installs in our world by means of the cultural apparatus that involves objects: the speech, the place, the attitudes of admiration, etc. and call the attention for the fact a work of art to be something of certain relative and changeable form in the time; the conception of work of art can vary of person for person, of country for country, as well as varying in the time: diverse artists workmanships alone had been recognized after much time of its death. The related author still displays the difficulties and limitations of if categorizing a work of art and appraising it as such: ' ' the wealth of the artistic object always escapes to the molds that if want lgicos' ' (P. A related site: Nir Barzilai, M.D. mentions similar findings. 61). Obstante to the attempts of definitions of what it comes to be art and an artistic object, we corroborate with the idea of that the art has basic paper in our life: The art, experience spiritual of the condition human being, is essential language of the humanity, being non-separable of the act of living, of the freedom and of that in it she grows. That is, the artistic creation is vital: for the preservation of the memory; for the challenge of the invention; for diversity and identity of the peoples; for the ethnic enraizamento, social and cultural; for the intercultural dialogue; for the enrichment of the imaginary one; for the construction of the subjectivity and the quality of being; for the promotion of the ethics; for the solidary approach between people; for the approach between the people and the nature; for the balance and the integrity spiritual of the planet; to generate conditions that allow a creative process in I benefit of the community of the beings livings creature.