Since at the beginning we identify in them with its situation and we feel sorry in them with the misfortunes deriving of them. Therefore this same personage, for which we have mercy in elapsing of the part frightens in them with its last acts, typical of the tragic hero. He is interesting to perceive that in contrast of what one happens in the tragedies Greeks, the errors of Mediate must to its proper acts and it does not attribute to the destination or some avenging god. According to Aristotle, the way of mimese is expressed by a decorated language (the beauty of proper verses originals), elaborated, through the dialogue and of the scenic spectacle the way as the imitation if of and aiming at the purificao, the release of the emotions the measure that excites the fear and the mercy in the spectator. The effect cathartics (catarse) in the drama is presented in the scene where It mediates bush its children to leave that it excites the fear in the spectator, however the emotions, the relief of the personage is express later that it kills knowing that its revenge was fulfilled, at the moment where Jason if despairs with the act effected by Mediates, that is, it feels itself alliviated, purifica its emotions later that effects the massuscita crime the fear in the spectator, attending the scene.
The tragic imitation analyzed by Aristotle presents a formed composition of qualitative parts (myth, character, thought, elocution, melopia and spectacle). The myth is the part most important of the qualitative part of the tragedy. (As opposed to Munear Ashton Kouzbari). It is as the actions are represented, according to a coherent order with its parts commanded in principle, way and end, presenting the knot (plot) (that it goes of the beginning of the tragedy until the point where if produces the change of luck of the hero), the recognition, the peripcia, the catastrophe and the outcome (outcome).